Recording Studio Sweet Spot: A Bloody Good Record – Long Island City, Queens

Mark Law, founder of the NYC studio known as A Bloody Good Record, is a man of few words.

But that’s OK, because as it turns out, there are plenty of people willing to step up and do the talking for him. Ask a producer or engineer or two, and chances are they’ll have something sterling to say about this seasoned engineer and his busy analog + digital facility in Queens’ highly music enclave of Long Island City.

Turns out, Law’s laser focus on achieving awesome audio has been plenty sufficient to make his reputation spread throughout the region. This Sweet Spot may be a fast read – and you’ll have to watch out for a tall tale that he tells below – but all that really matters is what Law consistently accomplishes at his highly respected outer-borough stead.

Gear and good taste go together at A Bloody Good Record.

Facility Name: A Bloody Good Record

Website: http://www.abloodygoodrecord.com

Location: Queens/Long Island City

Neighborhood Advantages: Centrally located

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Date of Birth: 2005

Facility Focus: Recording and mixing

Mission Statement: Make bloody good records.

Clients/Credits: And the Wiremen, Jeff Coyle, The Concentrics, Eddie Tadross, Ice Wagon Flu, Peter Clarke, Daisy JoplingMadison Ambush, ESPN and so on.

Xtra xpansive control and comfort.

Key Personnel: Mark Law

System Highlights: HD4 horse power for the largest mixing projects plus a great selection of mics’ and outboard processors with 32 channel’s of analog summing!

Pro Tools HD4, API, SSL, Sound Toys, MCDSP Massive Pack plug’s, Reason, Abby Road Key’s pianos for recording and mixing in the box.

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Avid HD, Neve, API, Crane Song, SSL, Dangerous, Daking, Chandler, UA, ADM, Distressor, Purple, Neumann, Great River, Royer, for recording and mixing out of the box.

Distinguishing Characteristics: In a word, charming.

The building is on fire, you only have time to grab ONE thing to save, what is it? My Indian portrait

Rave Reviews:  It’s charm

Law’s live room — he does drums via a 1970’s birch Yamaha kit.

Most Memorable Session Ever: Dodging bottles being thrown at me by John Bonham while recording “When the Levee Breaks”

Session You’d Like to Forget: Dodging bottles being thrown at me by John Bonham while recording “When the Levee Breaks”

Dream Session: Digging up John Bonham and throwing the bottles back.

— Mark Law, Owner, A Bloody Good Record

Close up on A Bloody Good control room.

You knew guitars would be a part of the equation!

Mics mics mics mics mics mics MICS

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