Review: Novation Launchpad Pro

If you’re a producer or engineer who hasn’t heard about the Novation Launchpad series by now, it’s likely you’ve either been dead, avoiding electronic music production at all costs, or living under a rock. (Or maybe some combination of the above.)

The new Launchpad Pro

The new Launchpad Pro

With the release of the latest iterations of these simple-yet-powerful control surfaces, Novation has taken the success of its Launchpad series to the next level, adding velocity-sensitive pads, built-in MIDI support, and Ableton Push-like controls for Live.

The Launchpad series builds on the success of Monome’s grid controllers, providing a bare-bones control surface that includes 64 pads only: no faders, no knobs, no piano-style keyboard.

If you haven’t tried a Launchpad out just yet, you may not get it immediately. Why would anyone use this? Who could possibly be the benefit of so few controls? But for the right user, there are several real advantages to this minimalist approach that we’ll explore in detail.

Features Overview

The first thing you may notice about both versions of the Launchpad is the lack of a traditional piano-style keyboard.

This may be a deal-breaking omission for some musicians, but there’s an argument to be made that the keyboard as we know it is an outdated, clunky piece of technology, and that the future lies in devices like these. While that argument is beyond the scope of this review, I have definitely found that the Launchpad controllers can be great for playing keyboard lines, once you get used to them.

One reason for this is that you don’t have to learn scales in quite the same way. The pads light up with colors representing the root note and the scale notes, which can be adjusted to any key you want. Therefore, an E Major scale has the same pad layout as an A minor scale. This is perfect for people who haven’t practiced all the scales and all the modes 8 hours a day for years.

Of course, some keyboard players and pianists may complain that this is devaluing their hard-won skills, but so what? The skill set is changing, and the best strategy is to adapt and expand, not to hide.

Another view of the Launchpad Pro

Another view of the Launchpad Pro

Even if you are a trained pianist, you should still check out the Launchpad series because using one of these things will take you out of your comfort zone and force your brain into a different creative place. Give it a try and you’ll find that you can shake up your approach to melodies and bass lines, just by using a different.

It’s true that there are many other controllers on the market that don’t sport a keyboard, but they usually have other obvious set of benefits—often an array of faders or knobs designed to mimic something: a mixing console, or a DJ setup for example.

But that leads us to the next major benefits of the Launchpad: Cost and size. For a device of this build quality, the Launchpad series controllers are affordable and small. Novation also has a Launchpad Mini which is tiny. Even the Pro (by far the biggest of the series) is not prohibitively large. You can still easily throw it in your backpack and go.

Couple this with a rugged build and you’ve got a well-functioning controller, without the worry and hassle of it breaking apart in your bag. By contrast, any decent keyboard-style controller will need its own case, which hardly makes them “grab n go.”

So far, all these are traits are common across the entire Launchpad series. So let’s take a detailed look at the newest breed, the Launchpad Pro.

Going Pro

A lot of articles have been written comparing the Launchpad Pro to Ableton’s Push controller. But with a closer look at the two and it becomes obvious that this is a bit of a stretch.

Push has a lot more in the way of at-a-glance features like knobs, screen, ribbon controller, and additional more buttons. But does that mean that it’s necessarily the better controller for you?

All those extra features on the Push come at a cost, both financial and spacial. First, the Push is HUGE. Way too big to just throw in a bag and run. It also costs $599 at the store, double what you’d expect to pay for the Launchpad Pro. And, those knobs mean you have to be worried about things breaking. That’s a lot of things.

This is where the Launchpad Pro comes in. Although the Push is a great device in its own right, the Launchpad fills a different niche, and should be seen of what it is:Not a Push emulation with fewer features, but rather, a continuation of the Launchpad family—he next logical step, so to speak. Obvious additions include velocity-sensitive pads, and some extra buttons for more control, without cluttering the device or compromising on size, cost, durability and ease of travel.

Even if you have an Ableton Push or similar control, but need a device that works well on stage, the Launchpad Pro may answer your needs. The interfaces are similar enough that you could go from the Push in the studio to the Launchpad Pro on stage without much of a learning curve.

Velocity

A much-touted feature of the Launchpad Pro is the introduction of velocity sensitive pads. They work much as you would hope (and expect) them to: hit the pad harder, and the sound plays louder. (Or provides whatever other change in variable you may have assigned to be controlled by velocity).

There are four velocity curves: Low, Medium, High, and Off, which change how your key presses will affect the velocity. The pad feels great, and the velocity sensitivity is responsive. It’s easy to change the velocity curves as well, which makes switching to a more old school, no-velocity input a snap.

This is all pretty obvious so far, but Novation has found an additional creative ways to use the pads and apply the new velocity feature. Velocity can also control the speed of change in any parameter. Here’s how that works:

One of the classic features of the Launchpad series has been the ability to use the pads to control levels of different sources. For example, track volume can be controlled by making a selection from a range of 8 illuminated pads on columns on the device.

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  • Former Republican

    Thanks for taking the time to review, this is now on my shopping list . . .

  • mike

    So I agree it is a let down that you can only use the chromatic scale, but that makes you a better musician imo because you’re learn to isolate each button depending on the key you’re in. Great review. I say buy both! (and yes go into debt for it is worth it). (: