Focusrite, once best known for their high-end Rupert Neve-designed consoles, have taken the entry-level interface market by storm in recent years.
Although they still make up-market professional products including the ISA range, the Control 2802 console and the RedNet system, it’s been their USB and Firewire interfaces in the Scarlett Read more...
In the early days of motion picture, audio sync was easy: There wasn’t any. When you’re dealing with silent films, you have plenty of room to play fast and loose with frame rates.
The first hand-cranked cameras used in the industry could shoot footage at rates anywhere from 16 to Read more...
Dave Derr, designer of the instant-classic analog Distressor, says his high-end audio company is ready to move “furiously” and “excitedly” into the digital domain.
Dave Derr of Empirical Labs got his start in audio as an analog man at a digital company, testing circuit components for Eventide Electronics’ breakthrough hit, Read more...
This holiday season, you may celebrate Christmas, Hanukkah, Kwanza, Ramadan, impassioned political yelling matches with distant family members, or international Chinese-food-and-a-movie day.
But regardless of your faith and habits, I think all of us Americans can agree on one thing: It’s a great time of year for unbridled consumerism, for Read more...
Today’s audio processors tend to fall into two broad categories: Those that try to recreate the past, and those that tire of it. iZotope’s new Trash 2 plugin falls squarely in that second camp.
iZotope released the original Trash plugin in back in 2003, and it was marketed as a Read more...
