Speaker and room correction software has become increasingly popular lately—and for good reason.
If you can better understand what you are hearing in your studio, your ability to get better mixes that translate everywhere—with much less second guessing—goes through the roof.
These kinds of solutions have also become increasingly affordable. Read more...
There’s a right and wrong way to use reference mixes.
Whether you’re mastering, mixing, recording, producing or even songwriting, it’s important to know what you favorite music really sounds like—and how yours compares.
If you want to grow in your craft, then understanding what separates your work from others’ is Read more...
This week, I analyze the mix, production and arrangement for The Weeknd’s “Blinding Lights“.
Mixed by the legendary Serban Ghenea, it has become the most streamed song in the history of Spotify, at nearly 4.5 billion listens so far.
Why has the song “Blinding Lights” and the album After Hours Read more...
Today, I am joined by Gregg Lehrman, CEO of the music-making software company Output, to talk about artificial intelligence in the music industry.
Will A.I. compete with musicians? Can we benefit from us? How it will shape the realities of making a living in music in the future?
We discuss Read more...
Wouldn’t it be cool to be able to be able to borrow the complete analog signal chains of your favorite producers and engineers?
And wouldn’t it be even cooler if you never had to give it back?
ControlHub from STL Tones is the closest thing we’ve found to give you Read more...
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