When it comes to guitar effects pedals, the Electro-Harmonix Big Muff Pi—or simply the Big Muff, as it’s colloquially known—is about as iconic as it gets.
The pedal first debuted all the way back in 1969, and since then has set ablaze the signal of any guitar sent through Read more...
API reissues the 312 mic preamp.
The 312 was originally used as the front end of the first API recording consoles. The circuitry of the unit was housed in card cages under the front “kneespace” of these early consoles, with only the gain pot mounted to the control surface. Read more...
iZotope releases Tonal Balance Control 2.
Tonal Balance Control 2 allows you to finalize and fine-tune masters by using target curves for different genres. It can also be used in mix sessions to adjust gain and EQ for Nectar, Neutron, and other compatible iZotope plugins.
Clearly view the tonal Read more...
Saturation. At this stage of my mixing game, I’m not quite sure what I’d do without it.
As it has become further and further engrained in my go-to mix processes, I wonder why, in my short-lived stint studying music production in college, it was not given the same attention as, Read more...
Long Island City-based Electro-Harmonix already have so many overdrive and distortion pedals available that it wouldn’t be hard to miss one or two, especially among the onslaught of gear news that we are all subjected to these days. So you’d be forgiven if you missed the fact that they quietly Read more...
