Session Buzz: Who’s Recording In & Around NYC — A Monthly Report

GREATER NYC AREA: It’s midsummer…the middle of a traditionally “slow season” for recording with so many bands out on the road. But this is the city that never sleeps, and slow is a relative term. The following is but a sampling of recent sessions, and works in progress…a snapshot of what’s going on around town:

Starting at Germano Studios downtown…50 Cent has been writing and recording new material with Araab Muzik producing and Ky Miller engineering, Ne-Yo was in writing and recording with Swizz Beatz producing and Moses Gallart engineering, and Justin Nozuka recorded basic tracks with Steve Jordan producing and Dave O’Donnell engineering – all in Studio 1.

In Studio 2, will.i.am continues to record new material which he’s self-producing and engineering, and Oriane recently recorded vocals with Walter Afanasieff producing and Jason Agel engineering.

Nearby at The Lodge, Mastering Engineers Emily Lazar, Joe LaPorta and Heba Kadry have been busy working on Björk‘s epic multimedia release, Biophilia, due out this Fall. The music for Biophilia – featuring a 10-song album and 10 musical iPad apps themed after each song’s scientific subject matter – was mastered at the Lodge in March by Lazar and LaPorta alongside Björk and her longtime engineer/producer Damian Taylor.

Other recent releases mastered at The Lodge include Chris Taylor’s CANT LP, Morgan Page’s new album, In The Air, Ronnie Vannuci’s (of the Killers) solo debut Big Talk – produced by Joe Chiccarelli and mixed by Alan Moulder – the new Boy & Bear album – also produced by Chiccarelli – and Large Professor’s latest for Fat Beats Records.

The Lodge also mastered Ronnie Spector’s tribute cover of Amy Winehouse’s Back to Black – produced by Richard Gottehrer – Surfer Blood’s cover of Nirvana’s “Territorial Pissings” for SPIN’s Nevermind compilation, new releases by Zechs Marquise (band formed by Marcel Rodriguez Lopez from the Mars Volta), and Junior Mance, and the new Wooden Ships album – produced by Phil Manley of Trans Am.

Over in the East Village at Flux Studios, Todd Whitelock mixed an upcoming album by jazz saxophonist and flautist Kenny Garrett in the Revolution Room. Garrett – who was a member of the Duke Ellington Orchestra, and Miles Davis’ band – will release his upcoming album via Mack Avenue Records.

And down in SoHo, The Magic Shop has been going steady…Shooter Jennings tracked for his upcoming album with engineer Brandon Mason, assisted by Brian Thorn, Burning Spear tracked and mixed for their upcoming album with Thorn engineering, assisted by Kabir Hermon, and Tom Schick was in mixing for She and Him’s upcoming Merge album.

Other recent sessions in the Magic Shop’s unique Studio A include: The American Secrets tracking and mixing songs for upcoming freecreditscore.com commercials with producer Neil McClellan (The Lodge Music creative director) and engineers Ted Young and Colin Thibadeau; The Gaslight Anthem tracking an iTunes exclusive live session with producer Jason Marcucci, and engineers Ted Young and Mike Judeh; and tracking sessions for new albums by Elliot Sharp (producer Joe Mardin/ engineer Ted Young), Lee Feldman (engineer Ted Young), Ben Carroll (producer Adam Levy / engineer Brian Thorn), The Virgins (engineer Emery Dobyns) and The Universal Thump (engineer Kabir Hermon).

Meanwhile in the Magic Shop’s Blue Room, Warren Russell-Smith has been doing restoration work for the second season of Boardwalk Empire. Recent mastering sessions at the Magic Shop include albums for Rockstar Games, Anna Volgelzang, Warpaint, Nightplane (mastered by Russel-Smith) and Nâ Hawa Doumbia, Vic Varney and Pretty Good Dance Moves (mastered by Jessica Thompson).

At another studio down in SoHo – Serious Business Music – producer/engineer Travis Harrison has had a steady stream of bands in to appear on his BreakThru Radio show. In the last month, “Serious Business on BTR” has featured performances and interviews (by Harrison) with A Million Years, Fort Lean, Les Sans Culottes, El Jezel and Quiet Loudly.

Harrison has also been working on a number of album projects, including an album with a new band called The Cosmos – formed by Dougy Payne and Andy Dunlop from Travis, and Cinjun Tate from Remy Zero – a solo 7” with Doug Gillard from Guided By Voices, and a record with Rocketship Park for Serious Business Records.

In Park Slope at Seaside Lounge Recording, engineer/producer/musician Josh Clark mixed a record by Nashville native Luke Roberts, The Iron Gates at Throop and Newport, to be released by Thrill Jockey Records in 2012. Initial tracking sessions for the record went down at The Beach House in Nashville and Atlantic Sound in Brooklyn (with “Seaside Lounge” rounding out the coastal recording theme.)

On the West Side at Stratosphere, Japanese electro-rock band The Telephones tracked their new album in Studio A with producer/engineer Alex Newport, recording everything to tape on the studio’s Studer 2″.

Also at Stratosphere…Ice T booked an afternoon of vocals and filming for upcoming documentary Something From Nothing: The Art of Rap. Stratosphere’s own Adam Tilzer engineered. Aaron Neville returned to record vocals with producer Matthew Ferraro and engineer Geoff Sanoff.

Daniel Merriweather was back for sessions with Dave McCracken, Amanda Ghost and engineer Chris Shaw, Florence + the Machine was in with engineer Andros Rodriguez, and Nathan Larson (A Camp, Shudder To Think) tracked and mixed music for an upcoming film, Tiger Eyes, with Geoff Sanoff engineering.

Up at Carriage House Recording in Stamford, cellist Dave Eggar (Evanescense, Coldplay) and his band Deoro finished mixes for their upcoming record in Studio A with engineer/mixer Brendan Muldowney, and art-pop songstress Rachael Sage tracked basics for her upcoming release with engineer John Shyloski.

Back in town, at Sear Sound, NYC denizen Donald Fagen tracked in Studio A on the 8038 Neve with Michael Leonhart producing and Charlie Martinez engineering for Warner Bros. Records. eONE Music was in Studio C, reportedly “classisizing” Frank Zappa songs for a new release. In this process, Zappa’s original songs were rescored for classical orchestral instruments and tracked on Sear Sound’s custom Avalon/Sear console in sessions produced by Susan Del Giorno with GRAMMY-winning engineer Silas Brown.

Producer/engineer Gary Maurer also checked into Sear to track an ensemble of 22 musicians for his upcoming HEM album in Studio C. He will reportedly return to Sear Sound shortly to mix a 24 song double album.

Further west at Masterdisk, Scott Hull mastered Sting’s three-CD box set, Sting 25 Years, featuring remixes and a previously unreleased live concert DVD with 10 tracks recorded live in NYC, produced by Rob Mathes. Also at Masterdisk, Vlado Meller mastered a Julio Iglesias two-disc “Greatest Hits” set, with songs re-recorded and re-mixed by Alberto Sanchez, the new Red Hot Chili Peppers album, I’m With You, and the Jane’s Addiction single “Irresistible Force,” and upcoming album, The Great Escape Artist.

Andy VanDette recently mastered the Spiderman Turn Off The Dark cast album and albums by Blessthefall, The Static Jacks and Barefoot Truth, and Ellen Fitton remastered Debbie Harry’s Koo Koo, and Jellybean’s Wotupski.

Premier Studios in Times Square hosted Demi Lovato working on a project for Disney Pictures – a song produced by Sandy Vee, with piano overdubs played by Mikkel Eriksen from Stargate. The session was engineered by Sam Giannelli. Will.i.am of the Black Eyed Peas produced tracks for Lil Wayne, working with engineer Mike Cadahia with Kevin Geigel assisting. DefJam artist Ace Hood, produced by DJ Khaled, was at Premier recording vocals and mixing an upcoming release with engineer Ben Diehl.

Atlantic artist Wiz Khalifa recorded vocals, with engineer Josiah Hendler, EMI Artist MoZella was in with producer Scyience, mixing with engineer Anthony Daniel, and Scyience was also in with Epic artist Alice Smith, mixing an upcoming release with an engineer by the name of Push Buttons.

Over at Avatar Studios, strings were recorded in Studio A for the upcoming Lou Reed/Metallica album with producer Hal Willner and engineer Greg Fidelman, assisted by Bob Mallory. NYC/Ireland rockers Suddyn recorded their single in Studio G on the SSL 4000G+ with producer David Kahne, engineer Roy Hendrickson and assistant Tyler Hartman. The Brooklyn Youth Chorus was in Studio A recording with producer Bryce Dessner, of The National and Clogs, and engineer Lawson White, assisted by Aki Nishimura.

Music for the upcoming film, A Late Quartet, was also recorded in Studio A with producer Alan Bise and engineer Bruce Egre. The cast albums for People in the Picture (producers Mike Stoller and Steven Epstein, engineer Todd Whitelock) and A Minister’s Wife (producer Tommy Krasker, engineer Bart Migal) were also recorded at Avatar.

And we know there’s so much more going on out there! If you’d like to be featured in “Session Buzz,” please submit your studio news to submissions@sonicscoop.com.

Premier Studios Hosts Sessions with Will.i.am, Amber Riley, Wiz Khalifa

Premier Studios in Midtown has seen a plethora of action recently, with its SSL J 9072-equipped Studio A, and SSL J 9000-equipped Studio B, plus writer studios E and F hosting a number of sessions. Projects at Premier have included:

Hollywood Records artist Demi Lovato was in on a project for Disney Pictures. The song was produced by superstar producer Sandy Vee, with piano overdubs played by Mikkel Eriksen from Stargate. The session was engineered by Sam Giannelli.

Geffen recording artist Will.i.am of the Black Eyed Peas produced tracks for Lil Wayne. Engineered by Mike Cadahia with Kevin Geigel assisting.

DefJam artist Ace Hood, produced by DJ Khaled, recorded vocals and mixed. Engineered by Ben Diehl with Colin Rivers assisting.

EMI Artist MoZella, with producer Scyience, has been mixing with engineer Anthony Daniel.

DefJam artist DJ Khalid tracked and mixed with GRAMMY Award-winning engineer Chris Conway, with Colin Rivers assisting.

Cash Money artist Lil Wayne has been in doing several dates, writing and recording vocals. The sessions were engineered by Mike Cadahia, with Kevin Geigel assisting.

Atlantic Recording artist Wiz Khalifa has been in recording vocals, engineered by Josiah Hendler with Colin Rivers assisting.

Sony Epic Recording artist Oh Land recorded vocals with producer Dave McCracken. Engineered by Andros Rodriguez, with Sam Giannelli assisting.

Columbia Recording artist Amber Riley from GLEE cut vocals with producer Adam Black. Sam Giannelli engineered, and Chris Melendez assisted.

Warner Bros Recording Artist Rich Hill has been in Premier recording vocals and mixing with Engineer Ari Raskin. Kevin Geigel assisted.

Universal Motown artist Lil Twist came through to do vocals, with Ari Raskin engineering and Sam Giannelli assisting.

Sony Roc Nation artist J. Cole recorded vocals with producer Brian Kidd. Engineered by Mez, and Colin Rivers assisting.

Epic Recording artist Alice Smith mixed with Producer Scyience. The mix was engineered by Push Buttons, with Colin Rivers assisting.

Berklee College of Music visited with their Student Ensemble, directed by Eric Abreu. Engineered by Tony Black with Sam Giannelli assisting.

Shark Media GRB showed up with production team the Berman Bros. The mix was engineered by Christian Berman, with Sam Giannelli assisting.

Musical Arranger Douglas Gibson tracked a 16-piece Orchestra and Piano for an upcoming major film soundtrack. The session was engineered by Andros Rodriguez, and assisted by Sam Giannelli.

Last but certainly not least, Jamaican recording artist Joneal was in to mix. The sessions were produced by Phillip Forrestor, and the mix was engineered by Anthony Daniel.

Recording Sweet Spot: KMA Music

Facility Name: KMA Music

Website: www.kmamusic.com

Location: The Brill Building, Midtown, Manhattan

Neighborhood Advantages: There are amazing views of Times Square here, a great selection of food, and our studio is located in a landmark building.

Date of Birth: 2007

Facility Focus: Tracking and mixing!

Mission Statement: “Bringing the music back to the Brill.”

Clients/Credits: 50 Cent, Alicia Keys, Birdman, Black Thought, Bow Wow, Bravo TV, Britney Spears, Cash Money Records, Claude Kelly, Clipse, DJ Clue, DJ Khaled, DJ Swivel, David Cook, David Foster, Demi Lovato, Duro, Eric Hudson, Estelle, Eve, Fabolous, Fantasia, Flo Rida, G-Unit, G-Unit Records, Geffen Records, George Clinton, Ghostface Killah, Gloria Gaynor, Gym Class Heroes, Honor Society, Ice Cube, Interscope Geffen A&M, Island Def Jam Music Group, J Records, J-Cole, J-Lo, Jamie Foxx, Jay Sean, Jay-Z, Jazmine Sullivan, Jennifer Hudson, Jeremih, John Legend, Jonas Brothers, Jordin Sparks, Joss Stone, Justin Bieber, Kelly Rowland, Kristin Chenoweth, LMFAO, Little Steven, Lil Wayne, Ludacris, Mariah Carey, Mary J. Blige, Michael Jackson, Mos Def, Nas, Nelly, Nick Cannon, Paul Simon, Phil Ramone, Rihanna, Roc Nation, Sean Paul, Sesame Street, Shaggy, Snoop Dogg, Sony Music, Sting, Swizz Beatz, T.I., The Neptunes, Tiesto, Twista, Universal Motown, Universal Republic Records, Warner Bros. Records, Whitney Houston, Wyclef Jean, Yung Joc

Some of our recent credits include: Mixed: “Empire State of Mind” by Jay-Z ft. Alicia Keys from The Blueprint 3, “Do You Remember” by Jay Sean ft. Sean Paul & Lil Jon from All or Nothing,  “Throw It In The Bag” & “My Time” by Fabolous from Loso’s Way,”Baby” by Ghostface Killah from Ghostdini: Wizard of Poetry in Emerald City, “Bittersweet” by Fantasia, “Work Hard Play Hard” by DJ Tiesto, “Who Dat” by J. Cole, 12 out of 16 tracks on Fabolous’ Loso’s Ways, 11 out of 14 tracks on Jay Sean’s All or Nothing. Recorded and Produced “Worth It” by Whitney Houston from I Look To You.

Key Personnel: David “Roz” Rosner – Studio Manager , James M. Spano – Asst. Studio Manager, Casey R. Flynn – Chief of Operations

System Highlights: We have a lot on hand, including AKG C12 VR, API 3124, Avalon 737, Digidesign Control 24, Digidesign Icon, Focusrite Red 7, Griffin G 1.5, Griffin LFE 18”, Lexicon 960L, Logic Pro 9, Neumann U87, Pro Tools HD 8.0, SSL XLogic E Signature Channel, SSL XLogic SuperAnalogue, Sony C-800G, Tube-Tech MP-1A, Teletronix LA-2A,, Universal Audio 1176, Yamaha Disclavier 6 Grand Piano

Distinguishing Characteristics: We are a boutique studio with a vibe like no other.  Our entire facility has panoramic views of Times Square.  KMA was designed by famed studio designer, Fran Manzella (The Palms Studio, The Barber Shop Studios, Sterling Sound) who built our flagship A room around his very own Griffin monitors.  This is why clients such as Duro and DJ Swivel (Jay-Z, Jay Sean, Nas, Mariah Carey, Fabolous, Mary J. Blige, T.I., Britney Spears, The Neptunes, Ludacris, The Beastie Boys, Diddy, Ashanti and Will Smith, etc.) choose to record and mix their projects in our extremely quiet and sonically accurate rooms.

The building is on fire, you only have time to grab ONE thing to save, what is it? Our tech, Casey R Flynn haha… and the hard drives!

Rave Reviews: Our sound, our service, our staff, the views of Times Square, the vibe and the stripper pole (always a conversation piece!).

Most Memorable Session Ever: We’ve had many memorable sessions at KMA, but probably the most notable session was with the legendary Paul Simon and Phil Ramone while recording Paul’s single “Questions for the Angels.”

Session You’d Like to Forget: N/A!

Dream Session: We can’t narrow it down, so pick one for us: The Rat Pack, Michael Jackson,
Van Halen, U2, Johnny Cash. [SonicScoop selects ALL OF THE ABOVE laying down a slammin’ version of “We Want the Funk”.]

– David “Roz” Rosner, Studio Manager KMA Studios