Studio Tour: Recording Retreats

The bustle and heat of this city can spark new collaborations and ignites our creative fires. But with the sweltering summer months upon us, we sometimes find that the very elements that attract us to this teeming city begin to repel us away.

City bands retreating to the countryside to work through the creative process is nothing new. Artists from Led Zeppelin to Grizzly Bear, Bon Iver to this guy, have all generated some of their most recognized work while shacked up in makeshift cabin studios. But sometimes, an environment that offers a little more control and a proven track record is in order – especially when time and money are of the essence.

For instance, Sean Boyd’s Art Farm Recording reminds us of just how much space and peace remote studios can provide to artists willing to embark on a quick 2-hour drive.

Built in a remodeled century-old barn, Art Farm features 25-foot cathedral ceilings, a Toft console, Pro Tools HD system, and respectable mic locker.

With rates as low as $400/day, or $750/day including gourmet meals and lodging for the entire band, this massive music space proves just how far a few hard-earned city dollars can go.

Similarly, Woodstock/Saugerties NY’s Applehead Recording offers a scenic recording retreat on a working 17-acre farm, but ups the ante with a classic Neve console resurrected from NYC’s original Dangerous Music Studios, a staggering 30,000 cubic foot live room, and an ample collection of vintage mics.

Since 2001, Applehead owner Michael Birnbaum and crew have been playing host to a range of artists including Blondie, Lisa Loeb, Bad Brains, The B-52s and Lou Barlow.

Also no stranger to big names, Lou Gonzalez tried to get out of the studio business, but just couldn’t make it happen. Not long after selling his stake in NYC’s renowned Quad Recording Studios, Gonzalez built what was supposed to be a humble studio in his Greenwood Lake home – before it ended up taking over half the house.

The resulting studio, Quad Lakeside sleeps eight and includes a private guest house, SSL AWS900+ SE Analogue Console, vintage Steinway, Studer 827, Pro Tools HD system, and Gonzalez’s prized 1910 slate regulation billiards table.

Henry Hirsch is an engineer best known for 20 years of career-defining work with Lenny Kravitz.

Recently, Hirsch has moved his personal Waterfront Studios upriver from its original Hoboken location to settle in the emerging arts epicenter of Hudson, NY.

Built in an expansive 19^th century church, Hirsch’s new studio sports acoustically treated stretches within the main sanctuary, giving those spaces “a very focused sound while leaving the main room for the most beautiful orchestral sounds.”

This striking and rare room is completed by vintage Helios recording console and 3M 24-track tape machine.

If you have trouble deciding between booking recording time at a lakeside studio or in an enormous re-purposed church, Hopatcong NJ’s Barbershop Studio has you covered.

Merging two of the reoccurring themes that have cropped up in our recording retreats roundup, The Barbershop is built in an old church on the side of Lake Hopatcong known as (no joke) the River Styx. The enormous space houses a 72-channel SSL XL 9000K that feeds a Griffin Speaker system and 5.1 surround system, and the building comes equipped with its very own (still not kidding) 3-star Italian restaurant.

For those who want to get away but just can’t leave the trappings of the city behind, Sonalysts’ Power Station New England has erected a nail-for-nail recreation of what is now Avatar’s world-famous A-room.

Located on a multipurpose creative compound in Waterford, CT, this Power Station features a Neve VR, and can be booked at a fraction of the original’s cost.

Some of these remote studios have become famous in their own right. Over its 30 year history, Carriage House Studios of Stamford, CT has seen artists like Diana Ross, Pantera, The Pixies, Johnny Winter and Beyonce Knowles make use of their SSL 4048 and private sleeping quarters.

Notable current-day indie artists like Nicole Atkins, Ted Leo, Rachel Sage and Marissa Nadler, have also gravitated to this residential studio that sits just an hour’s train ride from Manhattan.

In 2008, drummers Jerry Marotta and Pete Caigan teamed up with original owner Joel Bluestein to revive the once-active Dreamland Recording Studio. Before its reopening, Dreamland was the site where over 350 records were recorded, including the B-52’s Love Shack, and releases by 10,000 Maniacs, Suzanne Vega, Pat Metheny, Herbie Hancock, Bobby McFerrin, and Yo Yo Ma.

Already busy next-gen engineers like Chris Coady and John O’Mahoney and indie darlings like Beach House, Fleet Foxes and The Panics have begun to take advantage of the startling acoustics of this revamped 19^th century church in West Hurley, CT.

Also noteworthy is Rhinebeck’s Clubhouse, a high-end residential studio owned by engineer/producer Paul Antonell (Natalie Merchant, Rusted Root),

This complex is built around a 19^th Century barn, that offers four queen-size beds and a private lounge located just 5 minutes from the local Amtrak station.

Outfitted with a classic Neve 8058 console, Studer tape machines, Pro Tools HD system and an enviable collection of outboard gear and microphones, this studio combines convenience and well-measured refinement in an earthy, bucolic setting.

On the other end of the spectrum, landlocked fans of T-Pain and The Lonely Island will be happy to know that they can now make a record “on a motherf*ing boat.”

Steve Young of Media Recording Studios has finally decided to pair his twin loves of sound and water to create a something significantly more badass than sonar ever was. Ladies and gentlemen: Yacht Recording.

Although it may not prove to be quite as cost-affective as making a record on dry land, there’s something to be said for the unique ambience and sheer ballsiness of finishing your next album on open water.

Three private staterooms provide accommodations for 6 guests, while an HD-based recording system helps you capture the sounds and mood of the sea in a way that would make Hemingway and Melville look like sissies.

Justin Colletti is a Brooklyn-based producer/engineer who works with uncommon artists, and a journalist who writes about music and how we make it. Visit him at www.justincolletti.com.

Chile’s Los Tres Mix With Joe Blaney at Fluxivity

This summer, Chilean rock band Los Tres traveled to New York to record, mix and master their new record. Working with producer/engineer Joe Blaney, Los Tres tracked the record up at Dreamland Recording, outside of Woodstock, and then mixed and recorded overdubs at Fluxivity in Williamsburg.

This is the fourth record Los Tres has made with Blaney, who brought the project to Fluxivity to mix on the automated Neve 8048 console with Flying Faders. Fluxivity owner Nathaniel Priest notes that this is the same console Blaney used to record Ron Woods, Bob Dylan and Steve Stevens on in the 80s!

The session was recorded and mixed on ATR analog tape, which Priest notes “sounded fabulous and performed flawlessly.”

“Joe brought in two of his own racks of outboard gear to Fluxivity that he had at his former studio in Greenwich Village,” Priest shares, adding, “We are set up here to interface with racks of users’ gear, either on DL connectors or XLR’s.

“Los Tres is a band that very much knows music, music history and appreciates the art of playing fine music and making a record that will endure as a notable example of artistic expression,” Priest adds.

“The record has 16 songs which expertly covers a range of styles, from rock to more traditional Andean tunes. It was made in the classic authentic style of record making with particular attention to sonic quality and detail, drawing on the many finely-honed skills of Joe Blaney.”

The group finished mixing the last song within the hour of the start of the mastering session at Sterling Sound, and Priest relays, “left here with a reel of warm tape!” The record was mastered by Sterling’s Dave McNair.

In other recent sessions at Fluxivity…Chris Brown visited the studio to wrap up mixing the upcoming Abrams Brothers album Northern Exposure with Grammy-winning engineer Brian Thorn. And for its 21st Anniversary release, Matador Records mixed a live 1999 Anniversary show from Irving Plaza. Jesper Eklow produced and Tom Gloady engineered.