A lot of competent audio engineers working in the field today have some real misconceptions and gaps in their knowledge around digital audio.
Not a month goes by that I don’t encounter an otherwise capable music professional who makes simple errors about all sorts of basic digital audio principles – Read more...
A few years ago, after a long stretch of recording almost entirely acoustic projects, I had the opportunity to do some orchestral film scoring. I was excited to make some great music but the tight budget meant that I would need to invest in an orchestral sample library.
I went Read more...
I’d like to start by thanking everyone who read my last article. I’m humbled by all the compliments, and feedback. I felt like a mountain climber ready to scale Everest, as friends and family cheered me along. People were calling me a pioneer! Never an early adopter, I asked myself Read more...
Some audio solutions are simple to get your head around. Others, you just have to get your ears into to fully understand.
MixRoom, the monitoring environment concept from Nashville-based studio designer Carl Tatz, falls into the latter category. Created to provide mixers with a million-dollar listening environment for a fraction Read more...
In the 13 years since I first booted up version 5.1 back in high school, Pro Tools has gone through six major software updates, three major flagship hardware updates and, most recently, a brand new plugin format. Pro Tools is ubiquitous within the recording and broadcast community as the industry Read more...
