Mixing methodology is sacred amongst engineers.
Ask any 10 of them how they set up their workflow, and you’ll get 10 different answers—all of which are valid.
Even as plugins and summing algorithms have improved, I still know a great many engineers who prefer working on consoles.
If great mixes Read more...
PreSonus now shipping next-generation FaderPort.
This new generation of the classic FaderPort USB production controller incorporates elements from PreSonus’ award-winning FaderPort 8. A great solution for anyone who mixes in the box, the new and improved FaderPort provides a 100 mm touch-sensitive, motorized fader for writing fades and automation Read more...
There is no shortage of options on the market for adding tactile control to your DAW.
It’s natural for producers, mixers, engineers and musicians alike to prefer hands-on control over their creative process instead of the sterile, point-and-click method dictated by a mouse.
The problem with most DAW controllers however, Read more...
AES New York 2017 is upon us, and there’s no shortage of new and exciting gear on display. Here are some notable new releases, with much more to come post-convention.
Eventide debuts the H9000.
The H9000 is an all-new network-ready, 16-DSP, multi-channel, rackmount audio effects processing flagship, featuring Read more...
Note: This review focuses on the FaderPort 8 in use with Pro Tools, which is the most popular DAW among SonicScoop readers, rather than with the native (and also capable) StudioOne software.
In today’s recording environment, a computer is the centerpiece of the studio. It is the focal point, the Read more...
